Katrina Rattermann (MFA 2017)
Katrina Rattermann is from Cincinnati, Ohio. In 2013, she received her Bachelor of Fine Arts from the University of Cincinnati, College of Design, Architecture, Art, and Planning. In 2014, she began her graduate studies at the University of Arkansas and is currently working on her thesis. Last semester she received an international fellowship to live and make work in the porcelain capital of the world, Jingdezhen, China. Her work explores themes of celebration and mortality.
Lindsey Heiden (MFA 2018)
Lindsey Heiden was previously living in the Upper Peninsula of Michigan, though she is originally from Illinois. She earned her Bachelors of Fine Arts in painting from Western Illinois University in 2007, as well as a Bachelors of Arts in Spanish. She is a first year graduate student in ceramics at the University of Arkansas, Fayetteville. In the years between earning her BFA and starting graduate school she worked in various studios thoughout the U.S., first as a resident artist and then as a studio assistant. Her work is highly decorative and focuses on animal forms while incorporating mixed media into them.
Rich Peterson (MFA 2018)
Richard Peterson received a BFA at the University of Akron, Ohio. He has spent almost all of his life within Northeast Ohio, which is where most of the narrative his work is derived from is based. Rich's work has been published in Clay Times (December 2014), Graphic Clay: Ceramic Surfaces and Printed Image Transfer Techniques (Lark Books 2015). and will be published in American Craft magazine in Feb-March of 2016. Rich has shown at Charlie Cummings Gallery, Forum Artspace, AKAR Gallery, Red Star Studios, Baltimore Clayworks, Morean Art Center, and was awarded Honorable Mention at "Drink This" juried by Sam Chung at Workhouse Ceramics in Virginia.
Lucas Knowles (MFA 2019)
Lucas J. Knowles graduated Cum Laude in 2014, completing his thesis and earning a Bachelor’s of Fine Arts degree at Florida State University in Tallahassee, Florida. His undergraduate concentration was a hybridization of both ceramic and mixed-media sculpture. With his work, Lucas displays nature and the cosmos as spiritual entities, providing religious and didactic visuals to accompany his reverence of the interrelation of all tangible things. Lucas has displayed works across the country, spanning from the North American southwest to the southeast. His most recently notable juried exhibition was held at the Harry Wood Gallery, which was in conjunction with the International Sculpture Center 2015 Conference in Phoenix, Arizona. The exhibition was juried by Garth Johnson, curator of the ASU Art Museum Ceramics Research Center.
Sam Mack (MFA 2019)
Sam obtained a BFA from the University of Missouri in 2014, and recently completed two years as a post-bac at The University of Nebraska-Lincoln.
"My recent body of work is a celebration of the feminine and a questioning of how gendered structures, both societal and architectural, dictate genders and assigns bodies to it. I am interested in challenging how the spaces of the bedroom and the bathroom create gendered expectations of the body and re-imagining the ways we perceive these rooms."
Chris Rodgers (MFA 2019)
Chris Rodgers, a native of Charleston, WV, received his BA in studio art from West Virginia State University in 2012. Upon earning his degree he moved to Beijing, China where he was an English instructor for one year. He was a post-baccalaureate student at Kansas State University from 2014-2015, where much of his work referenced his experiences of living in Asia. Recently, Rodgers completed a graduate level semester at Tainan National University of the Arts in Taiwan.
Anthony Kascak (MFA 2020)
Anthony Kascak graduated from the University of Colorado Boulder with a Bachelor of Fine Arts in Studio Art and a Bachelor of Arts in Psychology. He has spent the past year in Syracuse, NY working as a studio assistant and post baccalaureate student at Syracuse University. Recently, he was a resident artist at the Pottery Workshop in Jingdezhen, China. Anthony’s work is a way for him to explore concepts of shame and desire revolving around his multi-cultural and sexual identity through sculptures that reference desserts and celebratory objects.