Source: http://offsite.sightunseen.com/
Posted
CommentPost a comment
Linda and I are teaching a course this summer at OxBow. Come join us!
"We are all under the sway of many collaborators—some are acknowledged, but most are not. In this two-week course, we will attempt to identify the ways in which we have been influenced by our ghost collaborators and how we can take more accountability for those collaborations. Studio assignments will focus on extracting influences from the work you have produced in the past. Once apprehended, you will be asked to minimize or amplify those influences in new work. The course will also include readings, discussions, and short technical demonstrations—including open-form building with coils using fiber clay, fabricating models for splash molds from simple materials, and using casting slip in combination with press-molding techniques."
I can not even begin to articulate my excitement for this!!!
"The 63,000-square-foot space is intended to function somewhat in the way that MoMA PS1 in Long Island City, Queens, serves as an edgier, more experimental affiliate of the Museum of Modern Art. It is expected to open in 2018, Crystal Bridges officials said, and the location, in downtown Bentonville, would not only provide a place to show more contemporary art but would also continue a transformation of the small city and the surrounding region into a cultural alternative to cities like New York and Los Angeles." -NYTimes, March 29th, 2016
"The work of ceramic artist Linda Lopez is deeply influenced by mundane objects and the everyday. Her objects and sculptures are currently on view at booth E10 of the Mindy Solomon Gallery at VOLTA New York. In the following interview with Sabrina Möller, Lopez talks about the important personal influences on her art and process."
Link below the image...
Images by Alan Wiener courtesy Greenwich House Pottery
Linda Lopez and I have work up through May 14th here. My newest work, "More Possibilities for Distance and Mass" will be on display.
From the Press Release: Now & Then showcases contemporary ceramic works that offer insight into the intersections between art, culture, and daily life. This exhibition brings together a selection of graduates and professors from the University of Colorado’s Boulder MFA program. Organized and curated by Casey Whittier andBlanca Guerra, Now & Then includes works from Scott Chamberlin, Kimberly Dickey, Rachel Eng, Kelcy Chase Folsom, Julia Galloway, Joshua Paul Hebbert, Janice Jakielski, Stephanie Kantor, Linda Lopez, Mathew McConnell, Alia Pialtos, Joanna Powell, Jeanne Quinn, Annie Strader, and Emily Schroeder Willis.
http://www.kansascitymuseum.org
Good things from friends of Good Weather.
Hey all, we're very lucky to have the one and only Joanna Powell with us as a visiting artist this week. Just to give you a sense of Joanna, here's her NCECA emerging artist talk from last year:
April 22nd deadline...
The Clay Studio Is now accepting applications for The Resident Artist Program.
The Clay Studio Resident Artist Program offers individuals the opportunity to further develop their work, to establish professional contacts and standards, and to work within a community of like-minded individuals in an urban environment for up to five years. One of the longest ceramic residencies in the world, The Clay Studio Residency allows artists to become successful members of The Clay Studio community, and the Philadelphia art community, while making national and international connections as well.
Current Resident Artist, Roberta Massuch
Alison Schulnik's "Mound" is currently being shown at the Nerman. If you're passing through KC, the Nerman is a must-see!
I'm humbled and excited to have had Greenwich House exhibition so favorably reviewed by the one and only Garth Clark! Follow the link below the image for the article...
It's almost time! This year we have nearly 25 students that will be making the trek north to experience NCECA's 50th annual conference! It's going to be a good one. As always, UARK will have a table in the resource hall, and faculty and students will be participating in a number of exhibitions. In order to help you keep it all straight, here's a short list of UARK exhibitions and openings:
Linda
Sight Unseen
KC Convention Center, 301 W 13th St
Opening: Wednesday 5-6:45
Mathew
#F*nked!
Dodge Painting Building at KCAI, 4446 Oak St
Opening: Thursday 5-9
Chris, Raven, Lindsey, Mikayla
National Student Juried Exhibition
Leedy-Voulkos Art Center, 2012 Baltimore Ave
Opening: Thursday 6-8
Mathew and Linda
Now and Then
Kansas City Museum at Corinthian Hall, 3218 Gladstone Ave
Opening: Friday 5:30-7
Mathew
Accessibility by Design
Vulpes Bastille, 1737 Locust St
Opening: Friday 6-9
Jeannie, Laura, Chris, A-Tien
Generations
Filipino Cultural Center, 9810 W 79th St. Overland Park
Opening: Saturday 2-4
Kensuke
The Nevica Project
Cerebra Gallery, 2011 Baltimore Ave
No opening
Kensuke
Sante Fe Clay Presents La Mesa
Central Exchange, 1020 Central Street
No opening
Adam
The Clay Studio (Gallery Expo)
KC Convention Center, 301 W 13th St
No opening
There will be a ton to do and see in KC. Make sure you prepare in advance and have a plan for your days. As an additional help, here's a pdf guide that I have highlighted some of the exhibitions I am most looking forward to seeing and that I would highly recommend. Download the pdf here.
Join Garth Clark at Belger Crane Yard Studios as he discusses the collecting of ceramics. Garth Clark is the Editor-in-Chief for CFile’s publishing projects, journal and news magazine. Irving Blum, the pioneering contemporary art dealer who launched Andy Warhol, Ken Price and Andrew Lord’s careers calls Clark “ceramics’ great clarifier.” The Mather Award jury of the College Art Association (Clark was the 2005 award winner) wrote that his writings “have shaped thought about the field of ceramics and indeed the field itself.” A hydra-headed force in the field, Clark has received many honors; Fellow of the Royal College of Art, London, several honorary doctorates and lifetime achievement awards, the “Art Book of the Year” award from Art Libraries Society of North America, medals from the Independent Publishers Association and others. He is author of over sixty books and several hundred reviews and essays.
2011 Tracy Ave, Kansas City, Missouri 64108
This coming week, we'll be hosting Sean O'Connell as a visiting artist in the ceramics area. Sean's work will be familiar to anyone who has held more than a passing interest in clay. His works have been exhibited everywhere, and for good reason. Sean's pots exude character and confidence—and we're lucky to have scheduled a lecture with Sean and a few hours simply to watch Sean at work.
Sean currently teaches ceramics at the School of the Art Institute of Chicago, but originally was from right here in Fayetteville. Sean has a BFA in sculpture from Kansas City Art Institute and and MFA from School for American Crafts at the Rochester Institute of Technology. He has been a resident at Watershed Center for Ceramic Arts and the Archie Bray Foundation, among other places. We're lucky to have him here, and we hope you'll make some time to join us.
Sean's lecture will be held at November 12th at 5:30 PM, in Hillside Auditorium.
Sean's demo will be held in the Ceramics Studio, at 326 Eastern Ave, starting at 10AM.
Hi, everyone! Just in case you didn't get the chance to catch it in the studio copy of Ceramics Monthly, here's a link to my recent article. Take a look if you have a few minutes!
Review: ‘Ron Nagle: Five O’Clock Shadow,’ Delicacy and Tension on a Small Scale - The New York Times
A great review of Ron Nagle's new show at Mathew Marks.
Wishing I could see this show in person. Here's a snippet from the NYTimes write-up:
“There’s been an ongoing perception that those who work in clay are somehow working in a lesser medium, and their work isn’t often displayed in the same manner as painting and sculpture,” Mr. Reynolds said. Challenging that convention, “The Ceramic Presence” showcases modern and contemporary ceramics alongside significant paintings, sculptures and works on paper from the same period.
“Our intention is to break down the barrier,” he said. “Rather than argue about it, we thought, let’s show how it can be done.”
Another show to be aware of. From the press release:
Cherry and Martin is pleased to present Try again. Fail again. Fail better. This exhibition examines four artists’ explorations of ceramics and the inherent nature of its process, contributing authentic voices to the conversation surrounding clay. Artists working today are continually embracing modes of the medium, often freeing it from the rooted sense of tradition and functionality, but ever interested in the physical ‘making’ of art. The show title, taken from Samuel Beckett’s 1983 prose Worstword Ho, emphasizes the chance driven process that is often part of working with clay. Multiple attempts are made, fired, re-fired, glazed, glazed again, assembled, re-assembled, and so forth. The unfolding of this progression is ultimately what draws us to the final objects.
In an effort to reach build bridges to our peer institutions in the region, we're excited to be hosting the graduate students and post-bac ceramics students of Louisiana State University. Each student will give a short talk, and there will be time at the end of the presentations for questions. This is the first part of an exchange that continue when our graduate students and post-bacs travel to LSU in January to give talks and put up an exhibition. Friday September 18th, 2015. 2PM in the ceramics studio.
Current LSU grad, Bri Ozanne
Monday and Tuesday, September 28th and 29th, artist Sunkoo Yuh will be lecturing and demonstrating at the University of Tulsa. Demos run from 9-4 Monday and Tuesday. The lecture is at 4 on Monday. This is great opportunity if you have the time to make it over to Tulsa!
Artist Bio:
he ceramic sculpture of SunKoo Yuh, who was born in South Korea in 1960 and immigrated to the United States in 1988, is composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art and Buddhist and Confucian beliefs inform some aspects of his imagery, his work is largely driven by implied narratives that often suggest socio-political critiques. The Rubin Center has exhibited two monumental columns that showcase Yuh’s mastery of the complex narrative and of the ceramic medium. Yuh’s work is included in the collections of the Renwick Gallery at the Smithsonian in Washington, DC, The Philadelphia Museum of Art and The Museum of Fine Arts Houston, among others.
SunKoo Yuh is currently Associate Professor at the University of Georgia, Athens. He received his MFA from Alfred University. He has exhibited widely and has received many awards and honors. In 2005-03 he was the recipient of the Joan Mitchell Foundation grant, the Grand Prize at the 2nd World Ceramic Biennale International Competition, Icheon, Korea, The Elizabeth R. Raphael Founder’s Prize and the Virginia A. Groot Foundation. His work is in the collections of the Smithsonian Institution, Icheon World Ceramic Center, Korea, Oakland Museum of Art, California, and more.
